Archive for June, 2008

Great news, Fusionistas (erm, Fusionaires?)

Thursday, June 12th, 2008

Fusion-followers? Fusionites? Yeah, might have to work on the name for the fanbase a little while longer. But according to this article, mainland band Fusion is already at work on their second album! Already!

The were performing in Beijing last weekend at the invitation of Time Out magazine, and their fans came from all over China to hear them, bearing pink balloons and assorted gifts (the drummer immediately donned a t-shirt sent to him by a fan, and wore it on stage for the performance).

Aww, look how young and cute they are:

Fusion

Makes me feel all big-sisterly. Sort of like I should be alternately trying to feed them to fatten them up and helping them sneak out and buy beer. Anyway, at the mini-concert, Fusion performed eight songs of their first album, along with covers of A-yue’s “Change (改變)” and their mentor Jonathan Lee’s “I’m a small bird (我是一只小小鳥).” (Oh, great choices…). A Korean fan entertained everyone with his/her dancing, and they joked about adding an honorary fifth member to the band. The MC for the event was from Taiwan, and he noted that this was the first time he’d attended an activity for a mainland band, but that they have the same kind of energy he saw in early performances by Mayday or A-yue and Free 9. (Thank goodness for these comparisons, because that’s the only way I bump into their news – the word “Fusion” is not even kinda Google-friendly. I haven’t been keeping up with their blog, either, I admit.)

The band remains in Beijing working on the new album, so I guess the Fusion album watch begins now!

Masa and Fish: No, it will never end

Monday, June 9th, 2008

Perhaps on a recent occasion you woke up with a start in the middle of the night, uncertain as to what jolted you from sleep. After a moment’s confusion, your thoughts turned to some of your favorite Mandopop stars, and sitting up in bed in the dark room you wondered aloud, “But *were* Fish Leong and Masa dating? Do they get along now?” Then, tossing and turning as you try to get back to sleep, you think about the awkwardness of being ex-lovers and current labelmates – especially when it is such a small label. You begin to doubt whether Fish will stay at B’in Music, but then you remember that she is a shareholder. Suddenly, Victor Wong takes on an importance to you that you’d never dreamed of…

…or maybe not. Just in case, though, here’s the latest headline-making news on the subject of Fish Leong’s love life. Fish recently held a concert, which Masa and the rest of Mayday did not attend as they were shooting an advertisement (what, another one?), but he/they sent flowers wishing her well. There is a great deal of speculation on the meaning of the card on said flowers, but that is not our central point today. After the concert at the celebration party, Fish denied that Masa was her “ex-boyfriend.” Denied flat out. But, of course, this report claims she did so with tears in her reddening eyes, clearly confirming that that was a lie meant for public consumption. What she did say is that the have always agreed that given the fact that they are public figures, they would always respect each other – so, she explained, if you asked Masa if she was his ex, he’d give the same reply. So she confirmed and denied and insinuated, but we are right back where we started from.

Fish Leong is turning thirty next week. Hmm, I don’t think I realized that we were the same age. Watch out, Fish! This side of thirty is a little tricky… (I jest. Most of the time there is just no convincing me that I’m not still 25. It seems like some sort of unfortunate math error, though of course my big sister is quick to disavow me of that delusion.) Whoops, got a little sidetracked there. Anyway, Fish says that her birthday wish this year is to get married. I thought if you said a birthday wish out loud it wouldn’t come true? Maybe that’s only the case on this side of the Pacific. Her rumored boyfriend, a businessman named Tony, had sneaked into the concert venue to enjoy the show, though he presumably was not on hand to hear this announcement. Erm, no pressure, Tony!

The other news on the concert is that it featured Tanya Chua as a special guest, and the sets and effects were so elaborate that Fish barely made a lean NTD 600,000 (US$19,800) off of the sold-out show. Maybe try it next time without the train?

Ashin on summer and songwriting

Thursday, June 5th, 2008

[Ah, I love it when Ashin writes about his lyrics! From his blog on June 4.)

June, the flowers once blossomed in youth and now have spent their beauty, leaving no regrets.
Taking photographs of flowers that will soon pass away is more meaningful than taking them of the ones in full bloom.

Everyone says you take songwriting so seriously, have you ever just thrown a song together.
Oh yes, especially in the summer.

However, you'll probably guess the wrong song.

That summer, I mean, those hazy lyrics, I only took about ten minutes.
Not only to misread them with the mind of a poet, but even to battle a beautiful misunderstanding.

In a burst of energy, wrote them in eight minutes
and then had two minutes left to revise a bit.

I rarely write these kinds of hazy lyrics
Because I always want to play with the music a little while longer.

Just like a flower
Wants to linger in summer longer,

It's hot today,
So just grab anything to listen to,
It's just thrown together. : )

Left-Click (左鍵)

That high wall will fall
The red light will be extinguished, time will slant
Issue roses

Before your eyes, before my eyes
A few words become ardent

I’ve fallen in love with the fiery left-click
It takes me to a different word
One that has you

I’ve passed through zigzagging information
Into the expanse of your heart

Started to risk utopia
Your story, sweet and fresh
Wanting more, will you give it

Standing here, this cold world
Ceaselessly dreary, massive lies
The soul is stranded

[Hmm, there's a song translation that's due for revision... I'm going to get the whole site reworked this summer. Erm, maybe. But I'm going to try...]

A summary of news I’ve been ignoring for no particular reason but which remains interesting

Wednesday, June 4th, 2008

How’s that for a post title? Heh, I’m getting a bit punchy, I think. I’ve already done my drowned rat impression once today, coming home from work in monsoon-quality rains, and now I’m waiting for it to let up a bit so I can do my drowned rat out jogging impression.

First, sodagreen has been promoting the movie Juno in Taiwan (if you bought their live album, you might have seen the ticket voucher in it and thought to yourself, “aha!”). The band sang the Chinese theme song for the movie, Qingfeng’s oh-so-slightly controversial “Lover Pet (愛人動物),” and they attended a screening at which they sang part of that song and “Little Love Song.” At the event they took some questions, and one male fan in the audience asked sodagreen’s only female member Xinyi whether or not she thought he was handsome. Xinyi was embarrassed, but finally managed to tell the eager student that he was quite cute.

Betcha this chart position wasn’t purchased: as of Saturday, the G-music and Five Music charts were topped by Lu Guangzhong (Vitas Lu) with his new album. He’s on Avex, which according to Wikipedia is “one of largest independent labels in the world.” I suspect that Qingfeng and Cowboy Jay are right about the big labels and the charts, and that makes occasions like this when the dark horse comes out and grabs the prize all the more thrilling. Well, either that or Avex bought him that spot, in which case never mind.

Anyone hoping to be the future girlfriend of Jam Hsiao must like cats, because he will not give his up for any girl. On the bright side, he only lets the cat sleep with him on weekends, so the competition won’t be too bad. His album will be out June 16.

Tizzy Bac has released a “live and unplugged” album called 聊聊吧 (which I sort of want to translate as Talk Amongst Yourselves, though I’m not quite sure what they had in mind). Tizzy Bac and Won Fu will be playing together in Hong Kong this August, which means that between that show and the sodagreen concert there in June, Hong Kongers can look forward to a summer of indie fun.

Okay, this one is new, but still pretty random (in keeping with our theme). Ding Dang will be releasing her second album in August, and Ashin and Stone are hard at work writing and producing songs for her. She returned to Taiwan determined to lose weight, and when the guys found out about this, they presented her with a gift of a large basket of apples. She’s lost five kilograms (eleven pounds) already. Um. I can’t imagine that at any point in her life Ding Dang has needed to lose five kilograms, so I hope the diet is wrapping up now. As for Ashin and Stone… well, as long as they didn’t suggest she lose weight, I guess there’s not much to say. On the album, Ashin and Ding Dang will be singing a duet he wrote for her, she’ll also have Stone’s contribution, amusingly titled, “Stone (石頭).”

Oh for pete’s sake. I guess it was only a matter of time before this started, but Taiwanese singer Tsai Chin has made a statement praising the Hong Kong music industry for all they have been doing for the earthquake victims, and scolding the Taiwanese music industry for not doing more. Come now, can’t we all just get along? Nope, never could. Anyway, many are fighting back, pointing to large contributions from Taiwanese artists. The article has a handy little chart showing how A-mei, Cowboy Jay, Leehom, Jimmy Lin and Angela Chang are contributing (i.e. comparing amounts given and actions taken).

I think the comparisons are a bit stupid; I mean, yeah Jay gave a lot more than Angela, but he also makes a hell of a lot more money, so in real terms who knows who contributed more. And then there are all the activities. What is better: donating to a charity auction? Answering phones at a telethon? Visiting earthquake-stricken sites in Sichuan? Recording crappy ballads with three dozen other stars? Shall we award points for how many of each activity each star has engaged in? (I’m tempted to subtract points for participation in the corny group songs/lovefests, actually.) At the end of the day, there are two things going on here: the first is that as human beings, stars from Hong Kong and Taiwan see the suffering happening in Sichuan and will do what they can to help, and the second is that of course they all get positive exposure and press from helping that in turn helps them sell albums and get name recognition, etc. It’s part generosity and part self-interest, though how strong each motivation is in each individual probably varies. But I don’t blame any of them for it, I’d only condemn the sanctimonious ones who insist on making comparisons.

Okay, I see a break in the clouds (I don’t mind running in the rain, but the lightning puts me off a bit), so I’m going to stop rambling. Finally. :)

Update: ARGH. Got through most of the run all nice and dry, then a half mile from home the heavens opened and a deluge worthy of Noah was upon me. On the bright side, I don’t think I’ve ever made better time on that last half mile…

Qingfeng takes a page from Cowboy Jay’s book

Tuesday, June 3rd, 2008

No, he’s not singing cowboy songs, thank goodness. On May 31, Qingfeng wrote an entry on his blog suggesting that an unnamed record company has engaged in buying chart positions for one of its big-name acts. He took some of the mystery out of it, however, by noting that he had written songs for two female singers at that company, leading the press to speculate that if he is referring to Valen Hsu and Ivana Wang, which led them to suspect the company was Seed Music and the artist with the purchased positions Kenji Wu.

Kenji Wu’s manager and the record company have responded by saying that they don’t buy chart positions – that if they were to spend all kinds of money on that, they’d go bankrupt.

On the blog, Qingfeng talked about how he remembered there being big campaigns for not buying chart positions, then calls them totally bogus, because clearly the big companies still do it. Actually, whether or not there are any issues with Kenji Wu, Qingfeng is making a realistic observation, according to the article. It notes that in spite of the fact that everyone denies doing it, buying chart positions has already become a standard business practice with the Taipei music industry. There are a couple ways of doing it: one is for the company to go out and buy a lot of its own records to artificially drive up the sales figures, or to strong-arm organizations sponsoring activities with the artist into buying large volumes of the album being promoted. Companies manipulating sales figures usually first set their sights on getting their artist onto the G-Music chart, and then they turn to Five Music. Unnamed sources call the practice something that no one will admit to publicly, but well-known among industry insiders.

Cowboy Jay has spoken out on this issue before himself (he targeted Jolin, which sent the gossip rags into a frenzy, but I assume that was because she was the one with a big album out, not because of any past relationship). One of the more vocal opponents of the practice is Cheer Chen. She’s said before that she’s tempted to create a fake album and use all these methods to get it a spot on the chart and use it to show the world how completely ridiculous these things are. Michael Wong has also been outspoken about the practice.

On June 3 (er, today), Qingfeng updated his blog to clarify that it was netizens and reporters that pointed to Kenji Wu, not him. He also made the entries private. His record company backs him up and is not making any kind of apology or asking Qingfeng to make one.

Latest Mayday Singles

Tuesday, June 3rd, 2008

By the way, I’ve posted translations of the new songs:

“Yiyaya (咿呀呀)”
“Little Sun (小太陽)”
“To Flourish (出頭天)”

I’m still not 100% sold on “To Flourish,” but if anyone has any better suggestions, please let me know (I’ve gone into greater detail on my difficulties with that title on the actual page).

So none of these are all that recent anymore, but well, I do what I can. I also have a bit of a backlog of songs translated and not formatted because dang it, there’s just so little time, but more stuff will go up this week. These songs and the ones in the hopper are or will be linked from this page.

Gods of Advertising

Monday, June 2nd, 2008

Alright, call me crazy, but I’m sensing a trend here:

First there was “Little Sun (小太陽),” which has a lovely video and all, but was the advertising song for Tenwow Tea Drinks.

Then came “To Flourish (出頭天)” (we can debate the merits of that translation in a minute, just bear with me for a moment), which was released after the earthquake, but it turns out is the advertising song for Mass Mutual Mercuries Life (三商美邦人壽); the video-cum-commercial is here.

I joked in an email yesterday that now we just have to wait for the Hey Song Sarsaparilla song. Erm, actually, no waiting necessary. Here’s the commercial, and wait, do mine ears deceive me? Could that be that a new song in the background?

Okay, should we open a book on the new album? How many songs (out of a presumed 10) will be songs to advertise something? They do seem to have a special affinity for insurance/financial services and beverages, I’m not sure what that means (well on the former, obviously it means they have a more mature fan base than, say Fahrenheit) (yes, this is now our go-to comparison. Someone had to take the place of the Shin Band…) (though come to think of it, that’s a real insult to the Shin Band. My apologies, fellows). Ahem. The other part of it, of course, is that with two fathers in the band, Mayday is uniquely aware of the importance of life and health insurance, and therefore more prone to promote it.

It’s no particular secret that Mandopop artists no longer make much money at all off of their albums, just because the illegal downloading of songs/sharing of music is so prevalent. Instead, the profit basis of the music industry has moved to sponsorships and spokesperson opportunities, something I’ve talked about before. Mayday is no exception to this, so this is what we get, I guess. Perhaps it is strong motivation for fans to exercise restraint and not engage in any dodgy downloading practices themselves.

(A big thanks to Jennifer for sending me all the video links!)

Anyway, moving past the onslaught of new songs + new products, let’s look a little closer at that new insurance commercial. 1. Suits = Veeeery nice. Oh yeah. 2. Masa’s hair is now officially too long. 3. Stone’s looks like it’s getting pretty long, too. 4. Ashin is looking quite trim in his suit, but they are about to go into the studio, and we all know what that means… 5. Er, is Ashin wearing a pink shirt? He does that a lot, but I don’t really approve of pink. You know, in a general sense. 6. On the other hand, Ashin looks about 22 in this video, which ain’t half bad. 7. In the coffee scene, Stone and Monster look like they could be real cube-dwellers, but Monster looks a bit like a bad ass who wandered in off the street and put on someone else’s suit to disguise himself. Just a bit.

They guys have said of their little adventure as working stiffs in the video that it was really not like them at all. They don’t normally wear suits (though more’s the pity on that one, I say), they don’t ride motorscooters to or from work, and they really don’t take care of each other when they’re sick. (No, they bring in “Little Nurses” for that, right?)

On their suits, Masa – apparently not the least bit chastened by the weekend’s events – went through the band and did a little critique on how well they wore their suits. He thinks Stone wears his best, he looks like a high achiever, whereas poor Guanyou looks like a grunt. On Monster, he started to say his shoulders were too narrow, but catching the look in Monster’s eye, Masa changed his tune to praise how handsome he looked in his suit. No comment on Ashin? Eh, no worries, Masa, I’ve got you covered.

There are a few pictures of the boys in their jeans and their suits at the link.

Returning to Hong Kong with a flourish

Sunday, June 1st, 2008

Well, the final concert on the Return to Earth tour has now come and gone. There aren’t a lot of very specific reports so far (maybe they’ve run out of things to say?), so in some respects it seems that this show went like any other. A few things, though.

Fans worried about rumors of the band breaking up or retiring need not be concerned. Yeah, if there were such rumors I missed them, but apparently none of the fans in Asia fell for them either. Anyway, it seems they were filming a new ad that (piecing together several stories here) appears to involve them in suits and promoting insurance. What they will be doing is shutting themselves in the studio to work on the new album, but I wouldn’t even take that too seriously, given that they are due to start their Hey Song Sarsaparilla contract this month.

The fans organized a mass audience sing-along of “Garbage Truck” after the final encore, a surprise and a delight to the members of the band; they also wore yellow ribbons to remember the Sichuan quake victims. Mayday did another performance of “Two Tigers” as well.

Some fans organized a slightly different kind of surprise for the band. This is damn funny, though if you are easily embarrassed you might want to stop reading now. I had mentioned in passing the reports that on the Jump! concert DVD Masa provides some explanation for his philosophy on why men should wear shorts on airplanes. I kept it pretty general before, but now we have to get a little more specific to enjoy this joke. What it seems he actually said on the DVD (I haven’t seen it yet) was that it was necessary to wear shorts in case your “lever” rises, which pushing against the tighter trousers would make for an uncomfortable flight. Now Masa can talk big, but how does he do when his fans prove they can be just as risqué as him? When Mayday landed in the Hong Kong airport on Friday, one of the LCD signs that are used for personal messages and advertisements was lit up to read, “To Masa, any leverage today?”

I cried when I read that, I was laughing so hard. To whoever did this in Hong Kong: I LOVE YOU. I wish I knew who you were so I could buy you a drink next time I’m in town. As practical jokes go, that one is pretty brilliant. Anyway, the band reaction was first shock and then embarrassment (although this is open to interpretation; some reports have them joking about it – my guess is that how their reaction is reported is directly related to how embarrassed the reporter was), and from somewhere in the ranks there was a nervous question: “Are we going to start getting this message at every airport?” Heh, I’m still giggling. That one will keep me going all week, I think.

Anyway, taking this story and running with it, one of the gossip columnists at the Apple Daily notes that he could never quite understand what Fish Leong saw in Masa, whom he considers very average looking (some here would disagree, eh?), but learning of Masa’s issues with his, erm, “lever,” suddenly it becomes very clear what the appeal was. He (she?) follows up with the airport story, and notes that Mayday fans are just way too “diao,” to borrow a word from the Cowboy Jay lexicon. It’s a good one for this story, because Jay spoke from on high and declared that it would be slang for “cool,” but its original meaning is more in line with Masa’s “lever.”

Anyway, there are some pictures here, which show a snazzy, suited Victor Wong as the special guest. This report (lots of pictures there, too) notes that the concert wasn’t perfect – in one place, for example, Guanyou forgot the plan to extend a song and stopped playing, which led the others to tease him. Clearly they don’t mind the mistakes. The mainland reports are teasing the “retiring” angle more than the Taiwan and Hong Kong ones, the latter I think having encountered this too many times before to take it seriously.

Discuss the concert, the “retirement,” or Masa’s, ah, equipment at the MaydayAmericas Forum.